This is one of the only extreme close up's that we are going to use because our storyline needs to be set in and around open spaces and settings. However, we know that they are important because of how conventional they are of Opening Sequences.
This point of view shot is planned to be used right at the beginning of our Opening Sequence and is simple yet effective because even though we can see the character, we are still waiting to be introduced to his face. Which adds a feel of mystery to the sequence.
Again, this has been drawn so we do not see the main characters face. This is because we want him to remain ambiguous so the audience want to watch the programme, instead of revealing too much in just the Opening Sequence. It is a long shot so we get a feel of the eerie setting.
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